Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning.100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.
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This Time in History In these videos, find out what happened this month (or any month!) in history.#WTFact Videos In #WTFact Britannica shares some of the most bizarre facts we can find.Demystified Videos In Demystified, Britannica has all the answers to your burning questions.Britannica Explains In these videos, Britannica explains a variety of topics and answers frequently asked questions.Britannica Classics Check out these retro videos from Encyclopedia Britannica’s archives.And in their rackety, prehistoric way, Doyle and Russo look like the forebears of McNulty and Bunk in ‘The Wire. The long surveillance scenes anticipate the modern world of police work. Having said that, a lot of ‘The French Connection’ feels contemporary. And the ghostly, ambient honk of car horns, sometimes fluttering a little on the soundtrack, say 1971 like nothing else. It is a stunningly nihilist ending, one to set alongside Polanski's ‘Chinatown.’ Perhaps most striking of all is the leisured, unhurried pace of ‘The French Connection.’ There are many scenes in which Doyle simply cruises around New York, searching, brooding these, to me, evoke the city as powerfully as ‘Mean Streets’ or 'Taxi Driver.' The details are lovingly recorded: sometimes it seems as if we are watching a documentary by the Maysles brothers. The Guardian’s Peter Bradshaw writes: “The final moments of ‘The French Connection’ are a powerful, even magnificent repudiation of the modern piety of redemption and sympathy. As the film’s centerpiece, Friedkin - who went on to direct the hugely successful “The Exorcist” and the vastly underappreciated “Sorcerer” later in the ’70s - stages one of cinema’s most jaw-dropping and intensely harrowing car-chase sequences. The film offers a fascinating study in contrasts between Doyle, a short-tempered, alcoholic bigot who paradoxically proves a hard-working and dedicated police officer, and nemesis Alain Charnier (Buñuel regular Fernando Rey), a suave, urbane gentleman who heads one of the largest drug suppliers of pure heroin to North America. William Friedkin’s gritty police drama “The French Connection” - which won five Oscars, including Best Film, Best Actor, and Best Director - follows two tough New York City cops, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), as they attempt to intercept a huge heroin shipment coming from France.
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Louis continues its year-long Golden Anniversaries series during SLIFF by featuring a half-dozen 1971 films on their 50 anniversary.
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